Sunday, June 6, 2010

Soundtrack

For those familiar with my earlier fanfic writing phase (not too many of those around now o.o) I have ALWAYS used music as inspiration for what I write. Always. And I always have a secret stash of songs that fit perfectly for what I'm writing, to haul out for re-kindling muse when I need it most. I have a ton of those for this work too, and they seem to be piling up on me. While creating a playlist for myself, I decided I might as well share these songs :) Some of them are so perfect for the story it's scary, and they are all about different characters, parts or aspects of the story. And so here is a (partial) list. More will most definitely be added as the story evolves.

Character Songs

Lovers Walk - Elvis Costello
I Will Survive - Cake (yes, THIS version. It's Nish all over)
Bad Romance - Lady GaGa
Shy - Ani Difranco
Overlap - Ani Difranco
Falling Is Like This - Ani Difranco
Untouchable Face - Ani Difranco
Crucify - Tori Amos
Them vs. You vs. Me - Finger Eleven
Dead Leaves on the Dirty Ground - The White Stripes
Bad - U2
Stay (Faraway, So Close) - U2

The entire album 'Lost and Gone Forever' by Guster, but especially:

Either Way
I Spy
Two Points For Honesty

Story Theme Songs

Buildings and Bridges - Ani Difranco
Out of Range - Ani Difranco
Both Hands- Ani Difranco
For What It's Worth - Buffalo Springfield
Mahna Mahna - Cake
Mad World - Roland Orzabal
Tainted Love - Marlyn Manson (ONLY this version)
Thousand Mile Wish - Finger Eleven
One Thing - Finger Eleven
Blue Orchid - The White Stripes
Sympathy for the Devil - The Rolling Stones
Rock'n'Roll Part 2 - Glitter
Lay It Down Slow - Spiritualized


This vid for 'Two Points For Honesty (Guster)' is absolutely perfect...the pictures are great muse enhancers and a lot of them go with the theme of the story :D

That's it for now, but there'll more later, I'm sure. This is what's in my iPod at the moment though, and what I listen to to refill my muse-o-meter ^_^

Thursday, June 3, 2010

Dialogue

As promised, here is my All Dialogue scene. I wrote this about two years ago as a stand-alone vignette for my character Nis'ku. I would set up the scene, but that would defeat the purpose of posting it. I want to see what people think is going on and what history these two characters have. This is one of my favorite things that I've written, and I did most of it on the bus on the way home from work. On a napkin. (and it's unedited, if you're wondering about punctuation)

Hello, James...

Nish...

Don't Call me that

Still so angry?

You're an asshole

Nice to know you still care; what is that, iced tea?

Yep; my break

Be my guest

god, James, you're not still drinking, are you?

And you're not...

I've been on the program ever since you...left

I didn't leave you, Nish...ka; dammit, would you stop looking at me like that?

Like what?

Like you want to kill me...

You did leave me James, you left me the second you walked into that bar!

Would you keep your fucking voice down?

Your turn

Where are you going?

To get a drink

But you already have - hey, what is that, scotch?

Whiskey

But you don't drink whiskey

I do now

Thought you were on the program?

Do you have any idea what day it is?

Yeahh, it's June- shit, it's our aniversary, isn't it?

You're so full of yourself

Nis'ku, you've got to stop this, you remember last time...

There's no way I can forget that James, believe me, I've tried

That was cold

Are you going to play or not?

...stripes

So...where is she?

Who?

Paris Hilton

Lay off Nis'ku, she's not that bad...

How old is she, twelve? Couldn't go out on a school night, could she?

She's twenty-two Nis'ku, and going to University

Funny, I didn't know you needed a degree for prostitution these days

Alright that's enough; you want to attack me that's fine, but leave her out of this. Are you always this hostile now?

I save it all for you, James

So...did you bring her?

Ohh yeah, I just left her out in the car with the window rolled down

Hostile

Well what did you expect, dumbass? Of course I didn't bring a baby all this way. She's staying with a friend for the weekend.

When can I see her?

On her eighteenth birthday

Now you know that's not fair...

No, what's not fair is you proposing to me and then going out and-

I think we've covered that...

I hope you don't think I've ruled out homicide by now

See, there's that sense of humor I missed

Bastard

So did you find anyone else yet, or...

Ohh wow! That's none of your business!

Just thought I'd ask

You know, maybe this wasn't such a good idea...

I wanted to see you

That's why it's not a good idea

No, what's not a good idea is you downing your second whiskey in half an hour

I'll say confession in the morning

You're really leaving? We haven't finished the gam-

Eight ball, corner pocket

Damn

I should go

Where are you staying?

Why, you want to tuck me in?

I might be persuaded...

Pig

Had to try

I shouldn't have come

I'm glad you came

I'll...I'll call you when I get back

I still want to see her

I'll think about it

I may yet salvage parts of it, though I've decided to nix the James character in the novel. At least for now. There's to much going on already for her with Stephen and Rory. And even their involvement is in a state of flux. All that previous plotting I did in the first few entries? I'm changing a lot of it now. But a lot of it will stay the same too.

More to come!

Class Four and Five

Yes, I know, I skipped one. No post for last class.

I've run into a bit of a snag, and that snag involves a video game console.

Hereafter lies my confession: I've spent much of the past few days (week) playing Nintendo. I now hang my head in shame *hangs head*

I am, after all, the Queen of Procrastinationland, and this is that side of me rearing its ugly head.

I have all the time in the world now to write, being off work for what may end up being the entire summer, and this means that I find all kinds of other things I can be doing besides writing. After all, I now have all kinds of time to play Zelda now too :P

I realized it today, as I was finishing the Fire Temple in my all-time favorite video game 'Ocarina of Time'. It was three in the afternoon, I was still in my pajamas, and I hadn't even turned on my computer to check my email. Video games and me are a dangerous obsession...once I start playing a game, it's very difficult to tear me away from it until I've finished the entire thing. And this is especially true with this particular game.

And so, this is my confession. I'm wasting valuable writing time by playing video games. It is now Thursday night, and my weekly class came as a delightful wakeup call that I SHOULD BE WRITING MORE! Every class I go to gives me a fresh infusion of muse, and this one was no different.

Last week we discussed plotting and pacing. I loved some of the techniques she taught us for the plotting process. Because a lot of stories start with a very small thing (a scene or a thought or a concept), constructing a whole novel out of it is difficult. Having a plot or outline is useful for organizing thoughts and filling in blanks. I already wrote one outline that I've almost completely scrapped by now. I'm in the process of rewriting it again, since during the course of the class I've decided to re-order and change things to be a little more dramatic.

Now she said not all writers do this, and some just sit down and write and see where the characters take the story. I like that, but I also prefer to have at least an idea of where I'm going with the story before I get to each part of the plot.

So there's the bulleted list outline, that outlines each major event in the story so that the author has something to follow (that's what I did, and what I'll probly do again for my second outline). There's also the Scene-Sequel structure...which is what I'll be using for the middle of my novel. When she explained it, I had a clear image of Prison Break episodes - each episode begins with a 'SEQUEL 'of the previous episode, usually about the first quarter of the show, and then ends with the 'SCENE' for that episode (each episode was a mini cliffhanger). The next episode would be the sequel to the previous one, and so on. Here is what they are (courtesy of Nancy's notes):

SCENE(Cause/Action) = CHOICE + GOAL + CONFLICT = DISASTER

"An event occurs, with a physical and emotional cause. The viewpoint character will have a short term goal, but face opposition. When he can't achieve this goal, his long-term goal will be put in jeopardy (disaster)"

SEQUEL(Effect/Reaction) = EMOTION + THOUGHT + DECISION = ACTION (next SCENE)

"The impact is a physical and emotional effect. This forces the character to feel emotion (react), then think about doing something differently that will allow him to achieve his goal, and make a decision about which action to take. This action will be the next SCENE."

Thank you, Nancy. This is...indispensable advice for novel structure. I shall treasure it always.

The other big thing I took out of that class was this:

Novel Breakdown:

Beginning = 1/4
Middle = 1/2
End = 1/4

It sounds...so simple, but...it's so incredibly useful. I never knew this before, never knew how long each section should be and what should be in them. She also gave us notes on what should be included in each section (beginning is for setting up the plot and characters, middle is the meat of the story, ending is for tying up all plots) with enough detail that it gave me the direction I sorely need.

THIS is why I took this class :D *hugs notes* I have story, and now I have structure. I may now write.

Today's class was about dialogue and how to handle it amid the prose and story.

I think...a lot of this class was review for me, and I think my 4+ years on the board gave me a lot of practise and experience with realistic dialogue. I often like to 'act out' difficult scenes...say the dialogue to myself as if I AM the characters to make sure it sounds right before I write it down (and if I'm lazy and I don't do this, it shows, and it comes out horribly).

I also like to do this one thing that she talked about, and that's writing an entire scene with ONLY dialogue, and then add the prose around it later (or not). She said that the dialogue should be strong enough to stand on its own without the other clutter around it, and I definitely agree with that. Later, I'll post up one scene I had written with only dialogue, which I love and I was thinking about the entire time she was telling us about dialog. It was a stand-alone vignette using Nish and her ex that would have absolutely no place in this novel I'm attempting, but I still love it for what it is.

We also had the opportunity to listen to her sister, Lesley Crewe, who is a published Bestselling Canadian Author :D I LOVED listening to her talk about novel writing and the business and the drive to write. How you need to first write for yourself before you even think of whatever audience you might have later. She painted a pretty bleak picture of the industry, but she was very encouraging to us aspiring novelists. I definitely want to get some of her books now and read them, the only Canadian author that I regularly read right now is Miriam Toews, so I'd love to get more Canucks on my bookshelf, and support the Canadian novel industry.

And so, I now have no excuse for not writing now. I need to turn off the Nintendo and force myself to keep to a word count every day. I need to find self discipline and focus. And I need to do it soon...next week is the last class o.o

*separation anxiety* I think I'll need to beg my classmates for contact info. Maybe we can organize a writing group :)